Studying science, art, and religion through the respective lenses of logic, aesthetics, and ethics, helps us to develop corresponding concepts of their ideals of truth, beauty, and goodness; collectively referred to as the Transcendentals. Philosopher and educational reformer John Dewey states the power of such ideals depends upon some prior complete embodiment of them, that there already exists a divine realm “where criminals are treated humanely, where all facts and truths have been discovered, and all beauty is displayed in actualized form” (1936, p. 42).
Do current concepts of our ideals, whatever or wherever they are, provide an adequate roadmap to enable movement towards a more peaceful, equitable, and just society? Do they need refinement or update, and for us to reorient ourselves accordingly? Key to marshaling society to be in alignment with any higher ideal, according to philosopher William James, is a redirection of martial — or war-like — virtues towards constructive civic enterprises: “It is only a question of blowing on the spark until the whole population gets incandescent, and on the ruins of the old morals of military honor, a stable system of morals of civic honor builds itself up” (1911, p.288). What forms today’s martial virtues, and their corresponding antidotes of constructive civic enterprises?
Orienting towards a civilizational ideal is the thrust beneath Isaac Asimov’s science fiction novel series, “Foundation” (1951). Generations of “psychohistorians” and “encyclopedists” use the tools of psychology coupled with projecting historical patterns in order to predict and guide the course of humanity many millennia into the future of an already galaxy-sprawling human civilization. The group must create a new order; “the Foundation, dedicated to art, science, and technology as the beginnings of a new empire”.
In an essay titled “Creation; The Goal in Life” (1920), French philosopher Henri Bergson also speaks of approaching ideals through acts of creation, and looking for their key indicator, joy, which “always announces that life has succeeded, gained ground, conquered. All great joy has a triumphant note”. Taking this indication into account and following the facts, according to Bergson, leads one to find that wherever there is joy, there is creation, and moreover, the richer the joy, the richer the creation:
“A mother beholding the joy of their child, the merchant developing his business, the manufacturer seeing his industry prosper each provide examples. Riches and social position bring much, yes, but it is pleasure rather than joy that is their gift. True joy, here, is exemplified in the starting of an enterprise which grows, of having brought something to life” (1920, p. 29).
Along such a pragmatic thread, Dewey states that the word “God” means the “ideal ends” at a particular space-time juncture “where one’s authority over their volition and emotion, and the values to which they are devoted, become unified”.
Asimov, I. (1951) Foundation. New York, United States: Avon Books (1966 ed.)
Bergson, H. (1920) Creation; The Goal in Life, in Mind-Energy, translated by H. Wildon Carr (pp. 29–35). New York, United States: Henry Holt and Co.
Dewey, J. (1936) Humanism: A Modern Religion, in A Common Faith (pp. 42–57). New Haven, United States: Yale University Press
James, W. (1911) The Moral Equivalent of War, in Memories and Studies (pp. 286–295) [HTML document]. New York, United States: Longmans, Green and Co.